Monday, February 27, 2006

Jammin' away winter in Jamaica

This Caribbean island offers visitors a blend of the familiar and exotic
Posted by the Asbury Park Press on 02/26/06
BY SUSAN REIGLER
GANNETT NEWS SERVICE


While it looks relatively small on a global map, the Caribbean is a richly diverse area, culturally and geographically.

From tiny islands to the coastal countries of Central America, escapes there can be urban or ecological.

If you must choose just one Caribbean destination for a quick winter getaway, the 4,400-square-mile island country of Jamaica could be just the place.

Thanks to such exports as jerk chicken, Blue Mountain coffee and reggae music, U.S. visitors will find a few familiar features in this otherwise exotic destination.

Because of Jamaica's history as a British colony (the Brits captured it from Spain in 1654 and were in charge until autonomy was granted in 1947), the official language of the country is English, peppered with patois catch phrases such as "No problem, mon."

But be prepared for the rough-and-tumble of the cities. Hustlers and drug dealers often approach tourists. Therefore, many first-time visitors opt for resort stays.

Kingston
Jamaica's capital is a city of about 700,000. It's a good base of operation if your stay is limited and you want to experience the country's history, cuisine and night life, with a sprinkling of beach activities.

Reggae fans should check out the Bob Marley Museum, situated in a red brick house that served as the Tuff Gong recording studio. It's Kingston's most visited tourist attraction.

Another popular attraction is Devon House, an 1881 mansion furnished with period antiques that provides a glimpse into the island's colonial history. Two of the city's better restaurants, the Grog Shoppe and Norma's on the Terrace, are inside a former carriage house and in the courtyard.

Venture across Kingston Harbor to Port Royal for a tour of a now-sleepy backwater that was once the pirate capital and later the center of British naval authority in the Caribbean.

Montego Bay

MoBay, as it's known locally, is Jamaica's second-largest city (population 120,000) and its resort capital. From budget-conscious tourist hotels to private, upscale resorts, there are accommodations for all size bank accounts.

Downtown has a collection of late-18th- and early 19th-century stone and timber buildings, with the cobblestone-paved Sam Sharpe Square as a focal point.

For recreation, there are several beaches, including Doctor's Cave Beach and Walter Fletcher Beach. Both are home to food courts, cafes, changing areas and facilities for water sports. Reggae parties are regularly scheduled. Three championship golf courses — Half Moon Golf Club, SuperClubs Golf Club and Tryall Club — are just east of Montego Bay near Ironshore.

Guided tours of Montego Bay Marine Park, which stretches along the coast for almost six miles, include coral reefs and mangrove islands. Waterfowl residents include pelicans, egrets and herons, while the tea-colored water is home to barracuda and tarpon.

Restaurants tend to stay open into the wee hours, with music blaring and drinks flowing. The famous Pork Pit features open-air munching on jerk chicken and pork on picnic tables.

Negril
Negril, with a population of 4,000, is at the western tip of Jamaica. It has the reputation of being the most laid-back city on the island. There are nude beaches here. But in recent years, it also has developed a notable ecotourism industry.

This is due, in large part, to the Great Morass, a dense mangrove swamp that is a refuge for rare animals and plants including crocodiles.

Negril also is famous for its nightly reggae concerts. Big-name bands perform at MXIII and Roots Bamboo.

Get a Hit of PositiVibes at Reggae.com

Friday, February 24, 2006

Family of reggae legend marks 13th Marley Fest in Miami

Marley's family: 'We celebrate our lives through him'
BY EVELYN McDONNELL
emcdonnell@MiamiHerald.com


For 13 years, the family of the late music legend Bob Marley has been the defining feature of Miami's annual funky reggae party, the Marley Fest. But beyond their formidable legacy, the mother and sons of the Third World's first superstar hadn't necessarily earned their headlining status. Until now.

Saturday's Marley Fest at Bayfront Park has been named Jam Rock after the breakthrough success of Damian ''Jr. Gong'' Marley's second album, the Grammy-winning, gold-certified Welcome to Jamrock. Robert Nesta's youngest son set a record for most first-week sales by a reggae album (86,000) when Jamrock debuted on Billboard's Top 10 in September. Those sales were propelled by the success of the title track, a gritty anthem about poverty and violence in Jamaica.

Brother Stephen ''Ragga'' Marley, who coproduced the crossover hit, says it was just a matter of time before the Marley name reentered the charts.

''If the people get the music, it will have that success,'' he said over the phone from the Lion's Den, the Marleys' studio in South Miami. ``That was the problem: getting music to people in that mainstream. We make the music good.''

The Marleys have become a growing cooperative cottage industry over the last decade. Damian, Stephen, Julian and Ky-Mani -- all of whom perform Saturday -- have steadily released albums and toured, often working together through their Ghetto Youth label. Damian's '01 release Halfway Tree won a Grammy for best reggae album. Two weeks ago, Jamrock won two Grammys: for best reggae and best urban/alternative performance.

''It has a lot to do with momentum,'' Stephen says. ``His last record never do so well, but in streets it gain a lot of respect. Through that, everyone was looking for this record. The song was perfect for that. It's important in the lyrics, yet the beat was heavy, a hard beat. The people in the club appreciate that.''

Jamrock broke through in part because it fit in with the thundering sounds of hip-hop and reggaeton (both of which genres have their roots in reggae). But in a sense, the sons were following the mix-it-up spirit of their father, who brought the message music of Jamaica to a rock audience in the '70s.

''You still have people who just want to have a good time, who don't want to hear something too serious,'' Stephen says. ``Then you have people who love brain food. If you can, give them the best of both.''

BUILDING ON SUCCESS

The other siblings are hoping to build on their brother's success. Stephen is finishing up his own CD, which he describes as ''the next page of the book.'' Albums by Julian and Ky-Mani are in the works.

The clan, including Marley matriarch Cedella Marley Booker, will share the stage at Bayfront Park, as they do at every Marley Fest. 'These festive things that have to do with our father, they're more in a celebrating vibe. We don't say we're going to do a concert. We do it together, more than, `This is Damian, this is Steve.' We celebrate our life through him.''

Earlier this month, the Marley siblings and others performed in Ghana for the second annual Africa Unite concert. Last year's, in Ethiopia, marked the 60th anniversary of Bob's birth. Bob's widow, Rita, plans to make them an annual event in different African countries.

This year sees a more somber marker: the 25th anniversary of Bob Marley's death from cancer at Cedars of Lebanon Hospital in Miami (the artist stopped here after falling too ill to fly on his way from treatment in Germany to Jamaica). He was 36. Stephen says there are no plans to commemorate his passing: ``We're addressing the life.''

The festival is an important date in the Marleys' calendar, their chance to give back to a city that has been the family's base in the United States since Cedella moved here in '78.

''This city is our second home, after Jamaica,'' Stephen says. ``This is one of the only places we come. Miami is our family. People love our father here. We give back to them.''

`WE ALL ARE ONE'

The third son of Bob Marley says the family is not letting the success of one sibling disrupt the harmony of a clan who do not all share the same blood lines, yet have banded together. (Bob had 10 children by eight women, and adopted two children of Rita's as his own). Damian is not letting fame go to his head, Stephen says.

``We're getting treated properly. We talk about these things. We make sure we know.''

But thanks to Jamrock, this year's Marley Fest, which as usual includes a food drive, should be a bigger celebration than ever.

Thursday, February 23, 2006

Reggae's Universal Groove

RAGGA MUFFINS FESTIVAL DEMONSTRATES MUSIC'S GLOBAL SCOPE
By Andrew Gilbert
Special to the Mercury News


At a concert in Rio de Janeiro, Brazil, last month, Gilberto Gil decided to tap into a universal groove.

The Tropicalia hero has written literally dozens of hits; now he serves as Brazil's minister of culture. But instead of focusing on homegrown songs, Gil played a set of Bob Marley classics. Within minutes, the audience packed into the Morro da Urca theater was moving to ``Positive Vibration,'' and then we all joined in on the refrain of ``No Woman, No Cry.''

The concert was a powerful reminder that reggae is a global force, and more than a quarter-century after his death at the age of 36, Marley is the music's international icon. That's exactly the point of the annual Ragga Muffins Festival, which rolls into the Santa Cruz Civic Auditorium tonight, and up to San Francisco's Bill Graham Civic Auditorium on Saturday afternoon.

While the headliner at tonight's show is Jamaica's ``Cool Ruler'' star Gregory Isaacs, the program includes an array of reggae talent, such as the United Kingdom's Misty in Roots, German-born roots-reggae vocalist Gentleman and Santa Cruz's Soul Majestic.

``Bob Marley may be the most internationally recognized person and musician in the world,'' says Moss Jacobs, producer of the four-city Ragga Muffins tour. ``It's not a surprise that across Europe, Africa and Japan, reggae is homegrown music. Gentleman is huge in Europe. Misty in Roots are legendary in the U.K. For us, it's fun to be able to expose Americans to the music's international scope.''

No Ragga Muffins artist better captures the infinitely malleable nature of reggae than 26-year-old Matisyahu, a Hasidic Jew from West Chester, Pa., whose hit ``King Without a Crown'' has crossed over from alternative radio stations to mainstream outlets such as Live 105. Blending phrases of Yiddish and Hebrew with his English lyrics, Matisyahu delivers his verses in a sing-song rasta roots style that often gives way to dexterous beat-boxing and an Ashkenazi cantorial wail.

As unlikely as Matisyahu might seem, he brings a spiritual consciousness to his music that's ``completely harmonious with the essential nature of reggae,'' Jacobs says. ``That's one reason why reggae appeals to all shapes and colors. It's a stimulating, spiritually charged form of music that reaches across age, color and economic strata.''

Another element in reggae's widespread appeal can be found in Marley's enduring, defiant call for social justice. That's the message that first caught the attention of Michael Franti, who performs with his group Spearhead on Saturday at the Bill Graham Civic. The San Francisco program also features Matisyahu, Gregory Isaacs, Gentleman, Misty in Roots, Dezarie and Marley's former band the Wailers.

Franti vividly recalls the first time he heard Marley's music on the radio, as a 13-year-old in 1980. The song was ``Coming in From the Cold'' from the classic album ``Uprising,'' and the anti-war message imprinted itself deeply on his consciousness.

`` `Would you let the system/ Make you kill your brother man?' '' Franti says, quoting from the lyric. ``I was so moved by that.''

While Franti (who also headlines the ``Santa Cruz Dayz'' show Friday at that city's Civic Auditorium, on a triple bill with guitarist Keller Williams and the female percussion ensemble Goddess Funk) has been a leader among politically engaged progressive musicians since he co-founded the Disposable Heroes of Hiphoprisy in the early 1990s, he has also found inspiration in Marley's romantic side.

``He wasn't afraid to write songs about how much he loved his girlfriend and put them next to songs about standing up and fighting,'' Franti says. ``I think that's the single most important thing I've taken from Marley. I want to write about the full rainbow of human emotions, not just anger and politics.''

Like Jacobs, Franti sees Marley as the era's transcendent musical figure, an artist whose message has reached every corner of the globe. More than charisma, love and justice, he credits Marley's irresistibly loping groove as the ultimate source of his appeal.

``In America we're taught that Elvis is the king of rock, and the Beatles are the princes,'' Franti says. ``But as you travel the world, it's Bob Marley who's the icon of popular music. You can dance to every song; that's the thing that made his music so universal.''

Sunday, February 12, 2006

‘Weed for All’ at Marley’s Birthday Bash

Bob Marley Day Bash

If the police had attempted to push the full force of the law, a good number of crowds who turned up last Sunday to celebrate the 61st birthday of Bob Marley at the Trade Fair would have been arrested and charged for their association with ‘weed’- as active or passive smokers.

The crowd most of them in Rastafarian colours of red, yellow, green and black and wearing dreadlocks of all shapes and sizes, sang, danced and smoked marijuana in ecstasy.

For those who do not smoke the stuff, but love reggae music, as well as the law enforcement agencies there appeared to have a ‘memorandum of understanding’ that every one suffered the joys of the ‘food for the brain’ for the period that the programme lasted.

The aroma of the drug pervaded the whole area and patrons who did not know how it felt to be high may have experienced it first hand.

Thick smoke from the numerous puffs from several mouths hung overheard especially when the lights were thrown on the large crowd and that was enough to let one know the extent of smoking that was going on at the concert.

For all that ‘ getting high’ there were no awkward incidents of note of peace and love. The mega star band backed Ghana’s Batman who thrilled the large crowd who just loved him for his presentation and stagecraft.

It was beautiful, refreshing and thoroughly enjoyable and the crowd sang, yelled and danced to the pulsating music of the reggae treats from Steel Pulse, Dean Frazier and C Sharp, Tamlins, Chaka Demus and Pliers as well as the I Threes.

The Marley brothers were the toast of the crowd as they took turns to sing songs from their father’s repertoire of thought provoking and inspiring reggae songs.

The concert, dubbed Africa Unite was organised by the Bob and Rita Marley Foundation as part of activities arranged to celebrate the late Bob Marley’s 61st birthday and to rekindle the vision and aspirations of the reggae legend.

The Ghana version was the fourth held worldwide to celebrate reggae star’s birthdays.

The other three were held in Jamaica, Florida and Ethiopia.

Jamaican Honour for Marley Home

KINGSTON, Jamaica (AP) - The house where Bob Marley once lived has been designated a protected national heritage site by the Jamaican government.

An official ceremony to mark the designation took place Tuesday at the home, now a museum that showcases the recording studio Marley built as well as memorabilia that once belonged to the reggae superstar.

"This ensures that for future generations nothing will be changed without the consent of the National Heritage Trust. It will always look as it did when Bob was here," Jacqueline Lynch-Stewart, manager at the museum, said Wednesday.

A plaque marking the occasion was unveiled by Marley's daughter Stephanie and government officials. It bears the words, "One good thing about music, when it hits you feel no pain," taken from the singer's hit song Trenchtown Rock.

Marley, who died in 1981 at age 36, is widely credited with introducing reggae music to an international audience in the 1970s.

He was born in rural St. Ann parish, but spent much of his formative years in the Kingston ghetto of Trench Town. He moved to the upscale house once owned by Island Records founder Chris Blackwell in the early 1970s.

Marley rarely lived in the wooden house after he was shot there during rehearsals for a concert in December 1976.

Lynch-Stewart says 20,000 people annually visit the museum, which opened in May 1986.

Jamaica, Mon - Caribbean Escape

For food, nature, wildlife, warm up to Jamaica
By Susan Reigler
sreigler@courier-journal.com
C-J Travel Writer


Surely the most alluring phrase to pop into one's mind in the middle of winter is "Caribbean getaway." The reality of gray days, winter-weather alerts and heating-bill sticker shock is pushed aside by visions of sun-dappled beaches, impossibly blue sea and sky, and rum-laced drinks in tall glasses.

While it looks relatively small on a global map, the Caribbean is a richly diverse area, both culturally and geographically. From tiny islands to the coastal countries of Central America, escapes there can be urban or ecological.

If you must choose just one Caribbean destination for a quick winter getaway, the 4,400-square-mile island country of Jamaica may be just the place.

Thanks to such Jamaican exports as jerk chicken, Blue Mountain coffee and reggae music, the first-time American visitor will find a few familiar features in this otherwise exotic destination.

And because of Jamaica's history as a British colony (the Brits captured it from Spain in 1654 and were in charge until autonomy was granted in 1947), the official language of the country is English -- peppered with patois catchphrases such as "No problem, mon."

But do be prepared for the rough-and-tumble of the cities. Hustlers and drug dealers often approach tourists. Therefore, many first-time visitors opt for resort stays.
Kingston

Jamaica's capital is a city of about 700,000. It's a good base of operation if your stay is limited and you want to experience the country's history, cuisine and night life, with a sprinkling of beach activities.

Reggae fans should check out the Bob Marley Museum, in a red brick house that served as the Tuff Gong recording studio. (It's Kingston's most visited tourist attraction.) Hourlong tours close with a short film about Marley's last days.

Another popular attraction is Devon House, an 1881 mansion furnished with period antiques that provides a glimpse into the island's colonial history. Two of the city's better restaurants, the Grog Shoppe and Norma's on the Terrace, are located in a former carriage house and in the courtyard.

The Grog Shoppe is famous for Sunday brunch and dishes up fare such as roast suckling pig with rice and peas. Domestic and imported beers are on tap. Norma's is at its most atmospheric at dinner, when lighting is provided by a multitude of candles, and starters such as red pea bisque are followed by jerk specialties.

Venture across Kingston Harbor to Port Royal for a tour of a now-sleepy backwater that was once the pirate capital and later the center of British naval authority in the Caribbean. A walking tour includes Fort Charles and other historic sites.

Lime Cay, 15 minutes by boat from Port Royal, is an uninhabited island with white sand beaches. Bring your snorkeling gear and a picnic.

For a more land-based experience of Jamaica's natural beauty, visit the 200,000-acre Blue Mountains-John Crow National Park, about an hour by car from the capital. A hike up Blue Mountain Peak (the island's highest at 7,402 feet) winds through coffee plantations and banana groves and into dense, bird-filled woodlands.
Montego Bay

MoBay, as it's known locally, is Jamaica's second-largest city (population 120,000) and its resort capital. From budget-conscious tourist hotels to private, upscale resorts, there are accommodations for all size bank accounts.

Downtown has a collection of late-18th- and early-19th-century stone and timber buildings, with the cobblestone-paved Sam Sharpe Square as a focal point.

The square is named in honor of the slave who, in December 1831, urged his fellow slaves to passive revolt. The Christmas Rebellion turned violent, however, with several plantations burned and more than 1,000 slaves killed. But the revolt led to British Parliament's passing the Abolition Bill in 1834.

For recreation, there are several beaches, including Doctor's Cave Beach and Walter Fletcher Beach. Both have food courts, cafes, changing areas and facilities for water sports. Reggae parties are regularly scheduled. Three championship golf courses -- Half Moon Golf Club, SuperClubs Golf Club and Tryall Club -- are just east of Montego Bay near Ironshore.

Guided tours of Montego Bay Marine Park, which stretches along the coast for almost six miles, include coral reefs and mangrove islands. Waterfowl include pelicans, egrets and herons, while the tea-colored water is home to barracuda and tarpon. (Game fishing is another activity.)

Restaurants tend to stay open into the wee hours, with music blaring and drinks flowing. The famous Pork Pit features open-air munching on jerk chicken and pork on picnic tables tucked beneath shade trees. At the upper end of the dining scale is the Houseboat Grill, a floating restaurant featuring Caribbean fusion fare.
Negril

Negril, population 4,000, is located at the western tip of Jamaica. It has the reputation of being the most laid-back city on the island. (There are nude beaches here.) But it has also, in recent years, developed a notable ecotourism industry.

This is due in large part to the Great Morass (is that a great name or what?), a dense mangrove swamp that is a refuge for rare animals and plants including crocodiles, red- footed coots, butterfly ginger and pancake lilies.

The Royal Palm Reserve, within the Great Morass, features a boardwalk that snakes through the swamp well above the jaws of hungry crocs, and a 44-foot-tall observation tower.

For those with an interest in wildlife of another sort, Negril is famous for its nightly reggae concerts. The big-name bands perform at MXIII and Roots Bamboo. Don't bother trying to find a written schedule. Concerts tend to be advertised by announcements from megaphone-equipped cars that circulate through the city's streets.

Thursday, February 02, 2006

Reggae legend Big Youth is finally visiting Australia

Big Voice
February 3, 2006
By Kate Welsman


MORE than 30 years ago, when Bob Marley first graced the stage with his conscious style and accessible lyrics, there was another artist who was tearing up Jamaica with his deejay approach.

Born Manley Augustus Buchanen, he has been known for most of his career simply as Big Youth. Next week marks the first time the elder statesman of reggae has visited Australia.

Big Youth's place in music history has been assured through his pioneering Jamaican deejaying that changed the sound of reggae in which producers left space for chatting over the music.

As rival sound systems competed for the freshest sounds, Big Youth, who has worked with all the big producers such as Prince Buster and Lee "Scratch" Perry, rose to rival Marley in popularity.

From his first single, S 90 Skank, produced in 1972 by the then unknown Keith Hudson, about the cult Japanese motor bike and the dangers of riding it too fast, to his latest album Musicology, he has remained a compelling, vigorous presence.

Big Youth's career has been a series of firsts: the first to record the I Threes, the first to experiment with mixing chatting and singing, and, as legend has it, the first to sport dreadlocks on stage and album covers at a time when it was illegal to do so.

Then there's the matter of his teeth, which are embedded with red, green and gold jewels.

Speaking from Kingston, Big Youth extols the value of his "spiritual message" in apocalyptic terms.

"Righteousness must prevail!" he thunders. "People are seeking righteousness in these times of difficulty. There is too much war and not enough care in the world.

"On my shows and the new album I am returning people to roots to look beyond the devastation."

In a voice that falls somewhere between a purr and a growl he expresses contempt for slackness, or gangsterism in dance hall, a style he believes is only a fad in the history of Jamaican music.

"A generation of indiscipline has taken over, they who ignore righteousness and roots, but people continue to find inspiration from my music and words. I talk about their difficulties and problems and they take strength from that."

Over music that has continued to challenge bland sensibilities and simple pop melodies, Big Youth, the former mechanic, is coming to deliver. We'd better be ready to receive.

Big Youth and Third World play the Prince Bandroom, St Kilda, supported by Heartical HiFi and Ranking Yoni, on Wednesday.

Go to REGGAE.com